PRAISE FOR A GOOD HOUSE FOR CHILDREN

I absolutely loved A Good House for Children and was gripped right from the start. A dark and haunting read -- Lucie McKnight Hardy, author of Water Shall Refuse Them

In her beautifully written debut, Kate Collins gives the haunted house novel a refreshing renovation, while retaining a deliciously chilling atmosphere that fans of Shirley Jackson will love. I was entranced —Francine Toon, author of Pine

A stunning debut... a terrifying and propulsive gothic story with so much to say about parenthood, privilege and the psychological burden of motherhood. I was utterly mesmerised by it and found it so unsettling that I had to keep the lights on! ... Incredibly accomplished and original -- Katherine Faulkner, author of Greenwich Park

I absolutely loved this claustrophobic and chilling story. Beautifully written with skilfully developed characters, Collins explores the themes of motherhood and identity. As the story builds, so does a pervasive sense of menace and looming tragedy, making it impossible to put down — Rebecca Netley, author of The Whistling

A Good House for Children is a wonderfully dark fable, filled with subtle dread. Kate Collins mixes folklore and the gothic in a perceptive exploration of the terrors of motherhood and the ravages of grief. It's a novel filled with quiet horror, and the Reeve is a wonderful creation, elegant and haunted - a perfect family home which casts and long and deadly shadow. -- Amanda Mason, author of The Hiding Place

Collins has written a stunning debut. A Good House for Children is both a compulsive ghost story and a very clever contemplation of the trials of motherhood. With a deeply sinister atmosphere, a beautifully rendered setting, and a perfectly crafted mystery at its heart, I was gripped from the beginning - and hopefully I'll sleep again soon! -- Rosemary Hennigan, author of The Truth Will Out

Collins intertwines the tales of Orla and Lydia, who have each lived in the Reeve: a house subject to haunting, but also a place where boundaries blur . . . between different times, but also of the sense of reality and the other, and ultimately, the edge of sanity itself. A beautifully written, creepy tale reminiscent of Shirley Jackson. -- Alison Littlewood, author of Mistletoe and The Hidden People

A chilling, unsettling read that drew me in and stayed with me long after I had finished it ... Kate Collins knows exactly how much to show us and how much to leave to our imaginations. A perspective, accomplished ghost story that managed to be both tender and truly terrifying. -- Emily Critchley, author of One Puzzling Afternoon

Equally terrifying and brilliant, Kate Collins' claustrophobic gothic tale of motherhood, sacrifice, and loss, captured my attention from eerie beginning to unforgettable end-a read-in-one-sitting triumph of storytelling. -- Ashley Tate, author of Twenty-Seven Minutes